Video review & approval
Notes that land on the frame.
Send a link. No login, no account, no explaining. The client pins a comment to a spot on the still, a moment in the cut, or a page of the PDF, draws or talks when words are slow, and approves on the record.
No credit card needed. Set up in minutes.
Hero spot · v3 cut
Shared with Maya at Bright Water · no login
Notes · 0
The problem
Feedback arrives as 'the logo feels off' in an email, three texts and a phone call, about a file called final_v3_new. Nobody knows which frame they meant, which version they saw, or whether it was ever actually approved.
A link your client will actually use.
Send the cut, the frame or the board as a link. The client opens it in any browser, types their name, and starts reviewing, with no account to make and nothing to install. Give it a respond-by date and the chasing happens for you.
No login for the client
They open the link, type their name so you know who said what, and comment straight away.
Email it from the app
Send the review link with a message, from inside the project.
Respond-by dates
The client sees the date in amber, and in red once it has passed.
Reminders that stop
An overdue review gets a nudge by email, at most three, two days apart, and none once they respond.
Every version on the link
The client can open earlier versions and the notes left on them, while only the latest can be approved.
One link for the whole job
A client portal lists every cut, frame and document you have shared on the project, with what is waiting on them first.
Downloads locked until approved
The client can watch and comment but not download until the work is signed off, and it unlocks by itself on approval.
Spring lookbook · look 4
Review · Arden
Point at the exact spot.
Click anywhere on an image and write the note there. A numbered pin marks the spot and the comment sits beside it, so feedback is never 'the thing on the left'. PDFs work the same way, page by page, which is how a director's storyboard usually arrives.
Numbered pins
Every note is pinned to the spot it is about and numbered to match the comment rail.
PDFs, page by page
Each page gets its own pins, and page chips show how many notes each one has.
Zoom that stays sharp
Fit, 1.5x, 2x and 3x, re-rendered at each size so small type is readable.
Your documents too
Shot lists, storyboards, moodboards, props and the shooting schedule go through the same review.
Sunday morning · still v3
Click anywhere to pin a note
Comments
Notes on the moment, not a timestamp in an email.
Pause on a frame and comment on it, or mark a whole stretch that drags. Markers sit on the timeline and clicking a note jumps straight to it. The player has what an editor expects, and the guides answer the question every commercial asks: does it survive the vertical cutdown?
Comment on a frame
Pause and write. The note is pinned to that exact moment, in broadcast timecode.
Range comments
Mark an in and an out for a note about a whole section. Clicking it plays just that stretch.
An editor's player
J, K and L shuttle, frame stepping, playback speed from 0.25x to 2x, loop and volume.
Safe areas and crop masks
Title and action safe, rule of thirds, and 1:1, 4:5 and 9:16 masks for social cuts.
Zoom and grab a frame
Zoom to 2x or 4x and pan, or download the current frame as a still.
Transcripts
Turn the dialogue and voiceover into timed text: search what was said, jump to it, comment on a line, and export it as captions.
Markers for the edit
Download every note as timeline markers for Premiere, Resolve or Final Cut, at your sequence's frame rate.
Coastline · 30s cut v2
Frame-accurate notes on the cut
Draw on it. Then talk it through.
Sometimes the note is easier to draw than to write. Mark up the frame with arrows, boxes and circles, then discuss it in a thread until it is done and resolved.
Drawing tools
Arrow, line, box, circle and freehand pen, in five colours, with undo and redo.
Drawings stay attached
Selecting a comment replays its drawing, on any screen size.
Threaded replies
The studio and the client reply under the note, so the conversation stays with the frame.
Reactions
A quick thumbs up when the note is just agreement.
Resolve, filter and search
Mark notes resolved, filter by open, resolved or yours, and search every comment.
Edit or delete your own
People can fix their own notes, and only their own.
Voice notes
Say the note instead of typing it, up to two minutes, on a frame or a moment. Clients can leave them too.
Team-only notes
Flip a switch and a note stays inside the studio. The client's link never receives it.
The pass · still v3
Draw on it, then say why
Every round kept. One clear yes.
Upload the next version on top of the last. Nothing is lost: each version keeps its own notes, before and after can sit side by side, and the client approves or requests changes on the latest. Your team can greenlight it internally before the client ever sees it.
Versions, never overwritten
v1, v2 and v3 all stay openable, each with the notes that were left on it.
Compare side by side or with a wipe
Two versions of a still or a cut next to each other, or under a divider you drag. Video plays both in sync.
Approve or request changes
One clear decision from the client, recorded against the version they saw.
Revision rounds against the SOW
Set how many rounds the job includes and every deliverable shows how many the client has used, so an extra round is a conversation, not a freebie.
Internal review first
Your team reviews and greenlights on the project's Review page before anything goes to the client.
In your notifications
Every client comment and decision lands in the studio's bell, with their name on it.
Send options for a pick
For generated shots, share a set of takes and get back stars, notes and one pick per reviewer.
First light · hero still
Every version kept, every note on the version it was about
v3 · 2 notes
Notes on v3 stay on v3. Open it any time to see them.
The difference
A link, not a login.
The fastest way to kill a review round is asking a brand manager to create an account. Here the client clicks, types their name, and reviews. The crop masks are the other tell: every commercial job ships social cutdowns now, and 'does it survive the 9:16 crop' comes up in every session.
- Zero client onboarding, on every plan, forever
- Feedback flows back into the project, attributed and pinned
- Approvals are records with timestamps, not vibes in a thread
Coastline · cut v2 is ready for you
Northline Studio · respond by Fri
Car clips the edge in the vertical. Can we reframe?
Maya Torres · typed her name, no account
More review can do
Due dates
Set a respond-by date; the portal shows it, amber then red.
Automatic reminders
Overdue reviews get a nudge, capped and spaced, stopping on response.
Batch review
Send a set of options and get back stars, notes, and one pick per reviewer.
Doc review
Shot lists, storyboards, moodboards and props run through the same canvas.
Client binder
One link holding everything you tick, and nothing you do not.
Filter and search
The comment rail filters open versus resolved, sorts by timecode, searches text.
Reactions
A curated emoji set, because sometimes the note is just agreement.
Notifications
Every client action lands in the studio's bell, attributed.
Stable viewing
The review canvas holds a neutral ground; the theme never shifts under artwork.
Also here
Lives alongside it.
Each of these is a page inside the project, on the same spine, so nothing is retyped between them.
Client binder
Everything the client asked to see, on one link.
- A checklist over the project: everything is off until you say so
- Boards, shot lists, call sheets and contacts, rendered as approved
- One link for the client, one PDF when they want paper
Works with
Communication
Gmail, Slack and Chat, filed with the job
See how it worksWorks with
AI pipeline
Organize the fan-out, keep the receipts
See how it worksThe whole toolkit
You just read about one of seventeen.
The rest is already in the box: every plan carries the whole toolkit, and the tiers buy room, never permission. This is the part a point solution cannot say.
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